About elias wolf / Lisa Forkish
Elias Wolf (formerly Lisa Forkish – they/she/he) is a queer singer-songwriter, community-cultivator, artivist, song-healer and educator, infusing all they create with fierce authenticity and heart. Raised on unceded Kalapuya land (Eugene, OR) among majestic Douglas firs and her motherʻs baby grand piano, Elias finds magic in that which is unseen but deeply heard and felt.
For the past two decades, Elias has been using song as both an expressive art and a tool for building connection; their ultimate aim in life is to utilize music for personal and collective healing and liberation.
For Elias, teaching and facilitating music spaces is much more than a job: it is a sacred calling. Whether it be at a festival with hundreds of participants, diving deep with 12 singers, or finding tenderness in a 1:1 session, Elias shows up with warmth, grace and humor. Elias has been at the musical helm of nine different vocal groups over the past 20 years, and is a sought-after ensemble coach and clinician. Elias is also an award-winning vocal arranger, and their arranging and music directing work has been showcased alongside Kehlani, Ben Harper, Michael Franti, Pentatonix and the Oakland Symphony Chorus. Elias’ stint as director of University of Oregon’s a cappella group Divisi from ‘03-’06 was the inspiration for the film “Pitch Perfect” and from 12-’19 they ran a 501(c)(3) advocacy organization devoted to uplifting marginalized voices in the vocal music scene and producing an annual festival at Berkeley’s iconic venue and education center, Freight & Salvage.
A graduate of Berklee College of Music, Elias first combined music and social justice while a student, chairing Musicians Against Sexual Violence and leading the community in their first ever “Take Back the Night” rally. With 25 years performing under their belt both as a solo artist and as a vocal collaborator/member of an ensemble, Elias has taken the stage at SF Jazz Center, Carnegie Hall, Lincoln Center and Yoshi’s, and loves nothing more than knocking down the perceived walls between performer and audience.
From ‘11-’20, Elias served as Vocal Music Faculty at Oakland School for the Arts where they founded and directed five-time national champion high school a cappella group, Vocal Rush. Known for their unique arrangements, uplifting performances and commitment to music for social change, Vocal Rush took third place on NBCʻs reality competition show “The Sing-Off” and was named one of the “YBCA 100” alongside artists and activists Janelle Monae, Rafael Casal and #metoo movement founder, Tarana Burke. Elias is the recipient of the Mason McDuffie Education Foundation Award for “Outstanding Educator,” Portland’s “Songwriter of the Year” award, and is one of the 2024 recipients of Lane Arts Council’s project grants, funding a queer youth a cappella program in Lane County called RISE.
Elias is currently a settler on occupied Kalapuya land where they live with their wife, their Yamaha upright, two pups (Henry and Hector) and two cats Pua and Sol.
PRESS
A Breath of Song
“Lisa has a gentle, welcoming presence and wide-open curiosity”
Personal Brand: reINVENTED (2022)
“Lisa Forkish infuses all she creates with fierce authenticity and heart.”
Vocal HERspective Podcast (2020)
“Lisa is a champion of inclusivity in the a cappella community.”
Mercury News (2013)
“This is an artist whose work is diverse and genuine.”
AcaVille Radio “The Spotlight” (2018)
“Lisa Forkish has done a bit of everything – and done it well.”
Head/Voice Podcast (2019)
“A heartwarming barnburner of an episode with Lisa Forkish”
Counterpoint Podcast (2019)
“Renowned arranger, director, and activist Lisa Forkish sits down with Deke and Dietz to talk about inclusion in the a cappella community.”
FloVoice (2018)
“Continuing the conversation on gender in a cappella, we reached out to Lisa Forkish, the founder of the Women’s A Cappella Association.”
I believe in the alchemical power of song.
I believe all living beings have a soul, and inside of the soul, there is music; thus, there is music in all things.
I believe singing can tune us into the frequency of love and the interconnectedness within this vast universe.
I believe that reclaiming our creative voice can liberate us in profound ways, inviting us into truth, again and again.
I believe in a world where all beings have what they need, where harmony-singing is abundant and relationships are at the center.
I aim to disrupt delusions of supremacy and false notions of scarcity, binaries and separateness.
I aim to stay in my body, present with and curious about what is in me and before me.
Through listening, learning, adapting, healing, expanding, balancing, trusting, intuiting, dreaming and creating, I aim to live in right-relationship with myself, my community, and the earth.
I aim to both be and become.
I aim to be in service to the music — the song in each of us and the creative spirit that dances before us.
I know that both singing and community are our birthright, and are powerful medicine for the wounds of supremacy, oppression, and disconnection.
I know that through song and connection, we are co-creating a just, loving world.